I am critical of a society made up of “individuals” full of a dogmatic culture, with attitudes, choices, beliefs that pre-break the free will and thus the person itself. I’m for the other, for diversity, for the meeting of peoples for the concepts inconvenient for the doubts that they reflect the uncertainty.
It takes a certain strength and courage to endure the uncertainty of life, but life is uncertain.
Drawing from when I was born, but my designs have begun to take the body to be when, toward the ten years I have known Andrea Pazienza (my first inspiration) stealing cartoons from my uncle. At that time I was just hypnotized by his stroke, then, in time, I understood and appreciated his deep, poetic, fierce, multi-expression narration. It happens again now, along with Frigidaire and Ranxerox to take a few hands between his register and each time I am inevitably struck by its expressive power.

I create from my first years and then in all this time I was confronted with various different stylistic techniques, always guided by an anxious personal search. I have accumulated a vast range of material: cartoons, illustrations, photographic experiments, paintings, collages, works on wood and ceramica.I’m self-taught.My production is 99% figurative and crafts (no spotlights, no computer .. etc). The most you give me the “technological” is to use the copier to create certain effects.

I have a dog, called Thebes, is a female boxer. I found it abandoned on the street, during summer obviously.It was confused, sad and afraid. During time, with patience, I helped to reborn. Today is a slut playful, sweet, curious and full of life. Dismissed both, for a time by hope, now we help each other every day, only with instinct and affection, without unnecessary words.We live in a very symbiotic relationship, it is my animal part.

The music: I can not do without it. It ‘the soundtrack of a movie that no director can ever make: my life. Who asks me “What do you hear?” I hate who answers “Everything”

I listened a lot, a lot of music, I have almost no ears to listen to all but dutiful selected. I have so many genres, sub even more, as are the perpetrators and will not here to make a list that would be tedious in its length and certainly incomplete.

Music is essential for my art; when I create I always turned the stereo. It gives me the rate at which moulds my drawings.

I suffer of the obsessive-compulsive Syndrome. I past, in vain, dozens of specialists who have not only filled with psychotropic drugs, to lead to freudiana. During nine years of psychoanalysis, I have completely undress, but also given the tools to put a new skin, not pathological. One of these is the art, that in fact there’s always been, as well as communicative methodology, including weaken my inner turmoil.

The art cares about me every day.

The fight with and not against myself continues, but now I have, gleaming, sword and, sure, the shield.

Life is manifested in his huge, full of dark woods and blue seas that gives us.

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Andrea Poletto was born in Vicenza on 30/03/1973.

He explained with some personal in several rooms of Vicenza from Zanza, where the first floor to play in the third box and do theater, including the Bozombo, where the crowd danced electro-hardcore, danced a raid because if they brought way.

He explained with a staff in local / La Cueva gallery exhibition in Milan.

He illustrated the book Il Grande Tritacarne of Lukha Kreme Baroncinij.

Published illustrations for the magazine Zero 2 that have been exhibited at the Triennale di Milano.

He participated with video, the collective Where is 107? in Milan.

In 2008 he exposed the personal gallery De Morte Vitaque in PrimoPiano in Vicenza.

In 2008 he exhibited with the gallery Vuoti in the bar Lioy 10 to Vicenza.

He is illustrator for the webstie www.inguine.net .

He partecipated at the national  Clean Art 2009 (7-28 June 2009) closeup in the Gallery PrimoPiano at Vicenza resulting 2° on the base of Public Jury.

Collaborate with the magazine Ruggine.